Quick reference links for items you may need to reference in your Annotated Catalogue.
Please have a go at referencing materials independently and, if you need help, send me an email.
Audiovisual Material (Including Films and YouTube videos)
http://www.newman.ac.uk/Library/referencing.htm#Audiovisual
Books
http://www.newman.ac.uk/Library/referencing.htm#Booksincludingebooks
Newspaper and Journal Articles
http://www.newman.ac.uk/Library/referencing.htm#journalarticles
The Internet
http://www.newman.ac.uk/Library/referencing.htm#theinternet
Wednesday, 9 November 2016
Tuesday, 1 November 2016
FM3 Small Scale Research Project 2016
One of the most important factors of the FM3 Small Scale Research coursework is to support your ability to perform independent research, to evaluate the usefulness and appropriateness of sources and to organise your research into a coherent final product.
Join the library.
If you don't already have a library card, you need to join Birmingham libraries online. Follow this link to do so: https://library-opac.birmingham.gov.uk/cgi-bin/spydus.exe/MSGTRN/OPAC/JOIN
If you have previously been a member of the library but you don't know any of your membership details or where your library card is, then drop the library an email letting them know and asking if they can help you to renew your membership. The email address is: enquiries@libraryofbirmingham.com
Once you've joined the library, you will be able to search the online catalogue.
You can search using a variety of terms including names, authors, titles and key words. You can find the catalogue for Birmingham Libraries here: https://library-opac.birmingham.gov.uk/cgi-bin/spydus.exe/MSGTRN/OPAC/HOME
Harvard Referencing
We will use Harvard referencing to organise your annotated catalogues. We will work through some examples in class so don't be intimidated by it! http://www.newman.ac.uk/Library/referencing.htm#backtolist
Some resources for your chosen frameworks:
Nadia
Marie
Leah
Kieran
Dan
Tom
Haydn
Don
Join the library.
If you don't already have a library card, you need to join Birmingham libraries online. Follow this link to do so: https://library-opac.birmingham.gov.uk/cgi-bin/spydus.exe/MSGTRN/OPAC/JOIN
If you have previously been a member of the library but you don't know any of your membership details or where your library card is, then drop the library an email letting them know and asking if they can help you to renew your membership. The email address is: enquiries@libraryofbirmingham.com
Once you've joined the library, you will be able to search the online catalogue.
You can search using a variety of terms including names, authors, titles and key words. You can find the catalogue for Birmingham Libraries here: https://library-opac.birmingham.gov.uk/cgi-bin/spydus.exe/MSGTRN/OPAC/HOME
Harvard Referencing
We will use Harvard referencing to organise your annotated catalogues. We will work through some examples in class so don't be intimidated by it! http://www.newman.ac.uk/Library/referencing.htm#backtolist
* * * * *
Some resources for your chosen frameworks:
Nadia
- https://books.google.co.uk/books?id=tCQOwvI9vsAC&pg=PA49&lpg=PA49&dq=vampire+genre+film+van+helsing&source=bl&ots=yLz3rHdq6-&sig=6SLf8Euc1mv9mM5v-0ud0HczNPE&hl=en&sa=X&ved=0ahUKEwiw-v-224jQAhWKhRoKHZ2-DOAQ6AEIWTAE#v=onepage&q=vampire%20genre%20film%20van%20helsing&f=false
- https://books.google.co.uk/books?id=nXZMAAAAQBAJ&pg=PA72&lpg=PA72&dq=vampire+genre+film+van+helsing&source=bl&ots=dUQuPdE0zk&sig=ggQAi76jIZ217kGmIdDUJuQ7sXY&hl=en&sa=X&ved=0ahUKEwiw-v-224jQAhWKhRoKHZ2-DOAQ6AEIaDAH#v=onepage&q=vampire%20genre%20film%20van%20helsing&f=false
- https://www.pastemagazine.com/articles/2016/09/the-100-best-vampire-movies.html
Marie
- http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0195.xml
- http://www.nytimes.com/1982/07/18/movies/politics-in-film-how-moviemakers-handle-hot-issues.html?pagewanted=all
- https://books.google.co.uk/books?id=EY-5SA35xfcC&pg=PA104&lpg=PA104&dq=film+social+political+context+american+politics&source=bl&ots=-yX2DLS4eb&sig=lw8sJTtEq3eXka6zD16IyTWP9OQ&hl=en&sa=X&ved=0ahUKEwjd4s_X24jQAhWKlxoKHSXDAfsQ6AEINDAD#v=onepage&q=film%20social%20political%20context%20american%20politics&f=false
Leah
- https://lib.ugent.be/fulltxt/RUG01/001/414/434/RUG01-001414434_2010_0001_AC.pdf
- https://www.saintmarys.edu/files/Final%20Senior%20Paper-May.pdf
- http://boingboing.net/2014/10/24/disney-princesses-are-my-impe.html
Kieran
- https://www.theguardian.com/culture-professionals-network/2015/jun/12/film-technology-evolution-film-making-3d-printing-vr-motion-capture
- http://www.sothetheorygoes.com/milestones-film-technology/
- https://editorial.rottentomatoes.com/article/5-technical-breakthroughs-in-star-wars-that-changed-movies-forever/
Dan
- http://www.thedailybeast.com/articles/2016/05/08/the-politics-of-captain-america-civil-war-a-conservative-manifesto.html
- http://davidliss.com/?p=1352
- https://www.washingtonpost.com/news/monkey-cage/wp/2016/05/08/this-is-how-the-new-captain-america-movie-gets-global-politics-wrong/
Tom
- http://www.hollywoodreporter.com/heat-vision/george-a-romero-says-brad-pitt-killed-zombie-genre-942559
- http://www.westword.com/arts/birth-of-a-genre-night-of-the-living-dead-invented-the-modern-zombie-7001127
- https://books.google.co.uk/books?id=Rf8aMOFn_d4C&pg=PA1&lpg=PA1&dq=night+of+the+living+dead+genre+zombie&source=bl&ots=_1woXPYVb_&sig=0RjLMyHiRsOiBFW-xGRguBQ-Gzc&hl=en&sa=X&ved=0ahUKEwiNiPqY3YjQAhWPyRoKHSkFCDw4ChDoAQhGMAc#v=onepage&q=night%20of%20the%20living%20dead%20genre%20zombie&f=false
Haydn
- https://scottkeithcinemaandsociety.wordpress.com/2013/03/05/what-makes-an-auteur-tarantino/
- https://sites.lafayette.edu/fams202-sp15/2015/02/18/tarantino-as-a-classic-auteur-example/
- http://www.nytimes.com/2012/12/23/movies/how-quentin-tarantino-concocted-a-genre-of-his-own.html
Don
- http://www.newyorker.com/magazine/2005/01/17/the-auteur-of-anime
- http://www.idc.iitb.ac.in/ourdsource/sites/default/files/gnana156340006-AuteurtheoryHayaoMiyazaki.pdf
- http://www.vice.com/en_uk/read/hayao-miyazakis-career-327
Labels:
annotated catalogue,
FM3,
project,
research,
year 13
Tuesday, 27 October 2015
Half Term Homework
Hello all,
A reminder of the half term homework tasks you were set in class on Friday 23rd October by Mrs Griffiths.
Due Monday 2nd November - Micro Analysis
Complete the first draft of your micro analysis. Those of you who gave me clips to watch for the deadline will have received your title before we broke up for half term - I will re-send these to you via email.
For Monday's lesson on the 2nd November, please ensure you bring in your film clip so that you can work on the analysis in class.
Due Monday 9th November - The Pitch
For the second piece of coursework this year you will create your own film product and this will either be a storyboard or a short film. You will need to sell your film idea to both Mrs Griffiths and the rest of the class.
To ensure you have thought through many of the important components of the piece of coursework before we begin, you will need to complete a pitch. The PPT below (which has also been emailed to you) walks you through the SEVEN slides you will need to have completed for your pitch.
A reminder of the half term homework tasks you were set in class on Friday 23rd October by Mrs Griffiths.
Due Monday 2nd November - Micro Analysis
Complete the first draft of your micro analysis. Those of you who gave me clips to watch for the deadline will have received your title before we broke up for half term - I will re-send these to you via email.
For Monday's lesson on the 2nd November, please ensure you bring in your film clip so that you can work on the analysis in class.
Due Monday 9th November - The Pitch
For the second piece of coursework this year you will create your own film product and this will either be a storyboard or a short film. You will need to sell your film idea to both Mrs Griffiths and the rest of the class.
To ensure you have thought through many of the important components of the piece of coursework before we begin, you will need to complete a pitch. The PPT below (which has also been emailed to you) walks you through the SEVEN slides you will need to have completed for your pitch.
The pitch how to from Mrs G
Tuesday, 13 October 2015
Face/Off [Woo, 1996] Micro Analysis
Explore how meaning is created for the spectator through use of cinematography, sound and performance in the opening sequence of Jon Woo's Face/Off [1996].
To support your analysis, I have taken screen shots from the opening sequence and uploaded them here:
To support your analysis, I have taken screen shots from the opening sequence and uploaded them here:
Face off stills from Mrs G
Please type up this analysis and double space the lines. Your analysis should be no longer than 1500 words.
This analysis is due on Monday 19th October.
Please type up this analysis and double space the lines. Your analysis should be no longer than 1500 words.
This analysis is due on Monday 19th October.
Wednesday, 7 October 2015
FM1: Choosing a Film Clip for Analysis
Identify up to three clips from different films that are 3-5 minutes in length. Your chosen clips should serve a purpose in the film: you, as the spectator must learn something from them about characters, plot development or similar.
These clips must be given to Mrs Griffiths to check them - either as a DVD or in digital format - with the clip timings clearly identified.
For example, when watching the clip from Casino Royale [Campbell, 2006] you will notice that the director established the genre of the film, the key character(s) and some events central to plot development. Key micro features are performance, editing, mise-en-scene, cinematography and sound.
In the opening to Face/Off [Woo, 1996] the director establishes a key plot point that will drive the rest of the story forward and provides motivation for the actions of central characters. It also identifies the genre and the central characters. Key micro features are sound, editing, performance and cinematography.
Choose a sequence that:
These clips must be given to Mrs Griffiths to check them - either as a DVD or in digital format - with the clip timings clearly identified.
For example, when watching the clip from Casino Royale [Campbell, 2006] you will notice that the director established the genre of the film, the key character(s) and some events central to plot development. Key micro features are performance, editing, mise-en-scene, cinematography and sound.
In the opening to Face/Off [Woo, 1996] the director establishes a key plot point that will drive the rest of the story forward and provides motivation for the actions of central characters. It also identifies the genre and the central characters. Key micro features are sound, editing, performance and cinematography.
Choose a sequence that:
- Serves a purpose in the film as a whole
- Clearly helps the spectator to understand something important from the sequence
- Uses clear examples of micro features to establish understanding
- Is 3-5 minutes in length
- You enjoy!
Tuesday, 6 October 2015
Focus on Sound
Task One:
Make detailed notes in your book about the PPT below. There are a number of key sound terms you will need to know in order to write in both your coursework and your exam work.
Sound Terminology from Mrs G
Task Two:
Watch the below clip from an episode of Doctor Who Confidential. The focus is on sound and foley artists. Make notes in your book.
Task Three:
Watch the below clip from the opening of the film Face/Off [Woo, 1996]. Respond to the following title: Explore how sound creates meaning for the spectator in the opening sequence of the film. Write in detail and using key sound terminology.
If you have any questions or concerns please see me as soon as possible.
Work is due on Monday 12th October.
Tuesday, 29 September 2015
FM1 Reading - Performance and Movement
Read and make detailed notes on pages 24-30 of the AS Film Studies textbook. Your focus is on Mise en Scene: Performance and Movement.
In addition, you need to complete the three blue box activities on pages 27 and 28.
Clip One: Office Scene
Clip Two: Interview after lust killing
Clip Three: With the police chief
All tasks are due on Monday 5th October.
In addition, you need to complete the three blue box activities on pages 27 and 28.
Clip One: Office Scene
Clip Two: Interview after lust killing
Clip Three: With the police chief
All tasks are due on Monday 5th October.
Monday, 21 September 2015
Mise-en-Scene Homework Tasks
Year 12, here are the homework tasks. All are due on Monday 28th September in our lesson. If you have any questions about the tasks please let me know as soon as possible.
Mrs Griffiths
Casino Royale Opening Sequence
Tasks:
To support with the final task, this is the trailer from the film Se7en [Fincher, 1995] which will give you a little more understanding of Detectives Somerset and Mills. Remember to focus on the task though - you are not analysing the trailer.
Mrs Griffiths
Casino Royale Opening Sequence
Tasks:
Y12 hmk from altonprincess
To support with the final task, this is the trailer from the film Se7en [Fincher, 1995] which will give you a little more understanding of Detectives Somerset and Mills. Remember to focus on the task though - you are not analysing the trailer.
Charlie Chaplin - The Tramp [1915]
Thursday, 18 June 2015
Year 11 into Year 12 Bridging Work
Below is the Bridging Work for students hoping to enrol on the AS Film Studies course in September. We have been thrilled with the enthusiasm for the subject shown by students so far and are really looking forward to seeing your presentations and short films.
The due date for all work to be completed is Enrolment Day - Wednesday 2nd September 2015.
Have a wonderful Summer.
Mrs Griffiths and Mrs Quoroll
Monday, 16 June 2014
City of God - Independent Research Project
Your Assessment Objectives for A2 state that you must be able to demonstrate knowledge and understanding of film as an audio-visual form of creative expression, together with its contexts of production and reception and of the diversity in film making across different historical periods and locations (AO1).
In order to develop the skills needed for study at A2, and to support your understanding of the production and reception contexts of 'City of God', Miss Ryan will be introducing an Independent Research Project on Brazil.
In order to develop the skills needed for study at A2, and to support your understanding of the production and reception contexts of 'City of God', Miss Ryan will be introducing an Independent Research Project on Brazil.
Thursday, 12 June 2014
Power, Poverty and Conflict
Welcome back, Year 12! You wonderful lot.
We are beginning this half term with a focus on Section A of the FM4 exam: Urban Stories.
One of our films is set in Brazil and we are, in a way, very lucky that there will be a huge media focus on the country over the coming months. As well as showing information about the World Cup, media outlets are trying to show the other side of the country and that is the side we are most interested in!
Links:
http://www.theguardian.com/artanddesign/2014/jun/09/let-them-eat-football-rio-de-janeiro-sao-paulo-anti-world-cup-graffiti
http://www.theguardian.com/artanddesign/gallery/2014/jun/09/brazils-anti-world-cup-street-art-in-pictures
http://www.bbc.co.uk/iplayer/episode/b04655bf/panorama-brazil-in-the-shadow-of-the-stadiums
We are beginning this half term with a focus on Section A of the FM4 exam: Urban Stories.
One of our films is set in Brazil and we are, in a way, very lucky that there will be a huge media focus on the country over the coming months. As well as showing information about the World Cup, media outlets are trying to show the other side of the country and that is the side we are most interested in!
Links:
http://www.theguardian.com/artanddesign/2014/jun/09/let-them-eat-football-rio-de-janeiro-sao-paulo-anti-world-cup-graffiti
http://www.theguardian.com/artanddesign/gallery/2014/jun/09/brazils-anti-world-cup-street-art-in-pictures
http://www.bbc.co.uk/iplayer/episode/b04655bf/panorama-brazil-in-the-shadow-of-the-stadiums
Labels:
conflict,
FM4,
poverty,
power,
urban stories
Wednesday, 6 November 2013
How Movies Teach Manhood
What's your opinion on this? Were you surprised to hear about the Bechdel test?
Read this: http://www.theguardian.com/world/2013/nov/06/swedish-cinemas-bechdel-test-films-gender-bias
Tuesday, 8 October 2013
Harvard Referencing for the Small Scale Research Project
Year 13: The blog post for Harvard Referencing can be found here.
http://filmstudiesatcampion.blogspot.co.uk/search/label/harvard%20referencing
http://filmstudiesatcampion.blogspot.co.uk/search/label/harvard%20referencing
Sunday, 6 October 2013
Film 2013
Good news! Film 2013 will return to BBC One on Wednesday 6th November.
You can watch some clips from the last series here: http://www.bbc.co.uk/programmes/b01pyxh0/clips
You can find the weekly BBC Film Review here: http://www.bbc.co.uk/news/entertainment-arts-24404882
Mark Kermode, from BBC Radio 5 Live blogs about film here at Kermode Uncut and has an excellent Podcast 'Kermode and Mayo's Film Review':
And if you can recommend any other film sites then let Miss Ryan know.
You can watch some clips from the last series here: http://www.bbc.co.uk/programmes/b01pyxh0/clips
You can find the weekly BBC Film Review here: http://www.bbc.co.uk/news/entertainment-arts-24404882
Mark Kermode, from BBC Radio 5 Live blogs about film here at Kermode Uncut and has an excellent Podcast 'Kermode and Mayo's Film Review':
And if you can recommend any other film sites then let Miss Ryan know.
Labels:
blogging,
exam,
fm1,
FM2,
miss ryan,
Podcast,
producers and audiences,
section a,
video links,
year 12,
year 13
Thursday, 5 September 2013
Welcome to Film Studies!
Hello Year 12 and welcome to Film Studies!
Below are the review questions from today's lesson and the homework collage task.
Please complete both pieces and bring them to our lesson on Tuesday 10th September.
Miss Ryan
Review Questions (please complete in your class work book):
And the collage homework:
Create a film collage
It should be LARGE...
Think bigger than A3!
Due: Tuesday 10th September
Below are the review questions from today's lesson and the homework collage task.
Please complete both pieces and bring them to our lesson on Tuesday 10th September.
Miss Ryan
Review Questions (please complete in your class work book):
Complete
your own learning log:
- Right now I am feeling...
- I am excited by...
- To be successful in Film Studies I need to...
- My teachers could help me by...
- I would like to know...
And the collage homework:
Create a film collage
On it you should
show the kind of film that you are interested in, demonstrate any knowledge you have of film already and show evidence of film being all around us.
It should be LARGE...
Think bigger than A3!
Due: Tuesday 10th September
Tuesday, 16 July 2013
Screenplay Formatting
Follow this link for tips on how to lay out a screenplay: http://www.screenaustralia.gov.au/documents/SA_publications/IG/SuggScriptLayout.pdf
Starting A2 in September
Please do not make the mistake of presuming your place on the Film Studies course is guaranteed.
As you know, your results do not come out until Thursday 15th August. At this time, you will know whether or not you have the required grades to continue with your couses of study but your results are not the only factor that will come into play.
You need to have demonstrated a commitment to this course since you began in Year 12 and this commitment should be exemplified by your handing in a draft of the 1800 word fully formatted screenplay by this Friday 16th July.
I know that you finish your academic year this afternoon but if any of you have difficulty finding computer to work on at home or have difficulty emailing the work to me then please do let me know. I can find a place for you to work in school.
In short, you need your draft screenplay handed in by the end of this week (you have been working on it for five weeks so far!) and you need your results in August to continue with the course.
Miss Ryan
Tuesday, 18 June 2013
Genre Study - Film Idea Homework
All students from Year 12 Film Studies have a homework task to complete, regardless of whether you were in Miss Ryan's lesson on Tuesday 18th June or not.
The homework must be completed by Thursday 20th June.
The task is on Show My Homework: https://stedmundcampion.showmyhomework.co.uk/school/homeworks/707087
Tuesday, 4 June 2013
Oscar Winning Screenplays
Below are links to most of the Oscar winning screenplays since 1990. Click on the title of the film to be taken to a copy of the screenplay and look at the convetions apparent in them all.
If there is anything you don't understand or have never seen before, look it up!
If there is anything you don't understand or have never seen before, look it up!
1990 - Ghost - Bruce Joel Rubin
1991 - Thelma and Louise - Callie Khouri
1992 - The Crying Game - Neil Jordan
1993 - The Piano - Jane Campion
1994 - Pulp Fiction - Quentin Tarantino
1995 - The Usual Suspects - Christopher McQuarrie
1996 - Fargo - Joel and Ethan Coen
1997 - Good Will Hunting - Matt Damon, Ben Affleck
1998 - Shakespeare in Love - Marc Norman, Tom Stoppard
1999 - American Beauty - Alan Ball
2000 - Almost Famous - Cameron Crowe
2001 - Gosford Park - Julian Fellowes
2002 - Talk to Her - Pedro Almodóvar
2003 - Lost in Translation - Sofia Coppola
2004 - Eternal Sunshine of the Spotless Mind - Pierre Bismuth, Michel Gondry and Charlie Kaufman2005 - Crash - Paul Haggis and Bobby Moresco
2006 - Little Miss Sunshine - Michael Arndt
2007 - Juno - Diablo Cody
2008 - Milk - Dustin Lance Black
2009 - The Hurt Locker - Mark Boal
2010 - The King's Speech - David Seidler
2011 - Midnight in Paris - Woody Allen
2012 - Django Unchained - Quentin Tarantino
1991 - Thelma and Louise - Callie Khouri
1992 - The Crying Game - Neil Jordan
1993 - The Piano - Jane Campion
1994 - Pulp Fiction - Quentin Tarantino
1995 - The Usual Suspects - Christopher McQuarrie
1996 - Fargo - Joel and Ethan Coen
1997 - Good Will Hunting - Matt Damon, Ben Affleck
1998 - Shakespeare in Love - Marc Norman, Tom Stoppard
1999 - American Beauty - Alan Ball
2000 - Almost Famous - Cameron Crowe
2001 - Gosford Park - Julian Fellowes
2002 - Talk to Her - Pedro Almodóvar
2003 - Lost in Translation - Sofia Coppola
2004 - Eternal Sunshine of the Spotless Mind - Pierre Bismuth, Michel Gondry and Charlie Kaufman2005 - Crash - Paul Haggis and Bobby Moresco
2006 - Little Miss Sunshine - Michael Arndt
2007 - Juno - Diablo Cody
2008 - Milk - Dustin Lance Black
2009 - The Hurt Locker - Mark Boal
2010 - The King's Speech - David Seidler
2011 - Midnight in Paris - Woody Allen
2012 - Django Unchained - Quentin Tarantino
Labels:
coursework,
FM3,
information,
screenplay,
screenwriting
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